Month: August 2019

  • An Unexpected Redemption

    An Unexpected Redemption

    American Carnage: 
    On the Front Lines of the Republican Civil War 
    and the Rise of President Trump

    Au: Tim Alberta

    Part II: 
    Bush Redux

    The pages of American Carnage offer what, for me at least, was an unexpected opportunity, namely to reappraise the former president George W. Bush Jr. This re-assessment is less about his policies and political decisions—remember his administration brought us the Second Iraq War, extraordinary rendition, Abu Ghraib and the Hurricane Katrina debacle—and more about his manner, style and capacity to predict the direction of America.

    American Carnage reveals three Bushes that, I suspect, you never knew existed:

    1. Bush the Sage

    Nearing the end of his second term Bush could see the dangers posed by the rise of populism and nativism before most Washington commentators: “the ‘isms”, he told his team in 2007, “are goanna eat us alive.”

    2. Bush the Political Commentator

    At the 2018 inauguration of the newly elected President Trump, G.W. Bush provided what some consider the most succinct summary of the new leader’s agenda, which he had just laid out before a crowd that was not half as big as he believed. Leaving his anointed spot on the stage behind the departing president, Bush offered the following overheard remark:

    “That was some weird shit.”

    3. Bush the Compassionate

    Six days before leaving the Whitehouse, his Democrat replacement having swept the Republicans aside in a blaze of hope and optimism, Bush hosted a meeting of prominent conservative talk-show radio hosts in the Oval Office (the more extreme hosts were kept off the invite list; they, it was agreed, were a lost cause). 

    Part way through the meeting Bush announced the reason for bringing the hosts together, and looking across at the faces of the ‘on-air right’ he made a request:

    “I want you to go easy on the new guy.”

    Today, this voice of compassion on behalf of a political rival, seems a million years ago. 

    Bush the sage, the commentator and the compassionate – who would have thought. 

  • How Did We Get Here?

    How Did We Get Here?

    American Carnage: 
    On the Front Lines of the Republican Civil War 
    and the Rise of President Trump

    Author Tim Alberta

    Part I: 
    All Hail the PoT (Party of Trump)

    “ The politician will be only too happy to abdicate in favour of his image, because the image will be so much more powerful than he could ever be.” Marshall McLuhan (interview, 1972)

    Through the long journey across the primaries and into the US presidential election in 2016 it seemed unlikely, no impossible, that come January 2017 Donald J. Trump Jr. would find himself sitting behind the Resolute desk in the Oval Office. The consummate salesman, his skills honed through reality TV, it felt like a massive charade with we, the audience, waiting for the man to break into a grin, to offer a wink, before announcing: “just kidding folks”. I guess Donald was not in on the joke.

    Over the last three years an extensive number of books have been published detailing the rise of Donald Trump and the first years of his presidential term. Some writers—Michael Wolff’s Fire and Fury. Inside the Trump Whitehouse is an example—have gone for the low bar; its hotwire into the Whitehouse, Steve Bannon (or ‘Sloppy Steve’ as the Trump now calls him) ensuring that the book was not threatened by scholarly intent; other publications—such as Bob Woodward’s Fear. Trump in the Whitehouse—have brought a reasoned and articulate analysis to the subject. In other cases, Matt Taibbi’s Insane Clown President is a personal favourite, writers have used gallows humour to detail the bewildering situation. 

    Tim Alberta’s American Carnage: On the Front Lines of the Republican Civil War and the Rise of President Trump is a different beast—and at 680-odd pages it has more than the hint of Godzilla about it—for at its centre lies not the president but the Republican Party; a party, Alberta argues, that Trump has captured and reshape into his own image.

    “Rarely has a president so thoroughly altered the identity of his party. Never has a president so ruthlessly exploited the insecurity of his people.” 

    This is a party known as much by its acronym—GOP (the Grand Old Party)—as by its Republican title; a political collective that begat us Abraham Lincoln, Theodore Roosevelt, Dwight D. Eisenhower and ‘ahem’ Richard Nixon; and which, over the course of 150 years, has championed a conservative agenda of lower taxes / less government, free trade, the global world order (remember the Neocons) and strong families, all underpinned by a healthy dose of individual ‘can-do-ism’. 

    Now, in the space of eleven years—a period that predates Donald Trump—the party has become a proponent of state intervention, an isolationist foreign policy agenda, the subverter of tax laws and personal freedoms, all underpinned by an alarming strain of nativism.

    So how did this dramatic turn come about? It is a question that Alberta seeks to answer across the pages of his weighty, but seldom boring, tome. 

    The case: At the centre of Alberta’s argument is the idea, foretold in the sub-title of his book, that the GoP has been at war with itself and its founding ideals – a conflict of ideas and beliefs that have transformed the party, leaving in its wake fertile ground for the likes of Steve Bannon and Donald Trump to grow and flourish. 

    So where were the seeds of this civil war first sown? 

    Ironically, given his bête noire status in the Trump universe, Alberta points the finger at the decision by the Republican Party and its presidential candidate John McCain, in 2008, to appoint Sarah Palin as his vice-president nominee (wholly under-qualified as a candidate, Pailin was nonetheless reputed to be a deft-hand at moose skinning). It was, Alberta reasons, a fatefully decision that saw the GoP embrace the populist wing of blue collar, male America—a group increasingly marginalized on the fraying edges of the American dream—for the first time. Writes the author:

    “Practically overnight, Sarah Palin came to embody the most disruptive “ism’ of them all, one that would reshape the GoP for a decade to come: populism.”

     [To be fair to McCain he wished to select Joe Lieberman as his running mate, but Lieberman’s pro-choice stance on abortion made him untenable to the GoP base]

    This is, of course, just a starting point. What followed was a grass-roots Republican ‘revolution’ that saw the rise of the rightwing Tea Party; the emergence of the ‘birther’ movement (supported by Donald Trump); and onward, the rise of Trump and his bulldozed path through the primaries, then his presidency and the three years of disruption, chaos and mixed achievements that have followed (as Alberta points out, beside a certain wall, Trump has been surprisingly successful in accomplishing his campaign pledges).

    Personally I am not convinced by Alberta’s claim that the Republican ‘turn’ is necessarily recent in origin. Rather I think that there is a strong case to be made that it started earlier, in 1968, with the failed effort by the liberal Republican candidate, Nelson Rockefeller, to capture the GoP nomination (it was won by Richard Nixon). In this dramatic year the party’s liberal wing found itself orphaned when Rockefeller imploded on the nomination trail, his demise heralding an uninterrupted era in which the party has failed, ever since, to nominate a moderate for president or vice-president. In short, the arrival of Nixon embedded a new ideological stance in the GoP, creating a conservative party in which moderates and their ideas remain marginalized fifty-one years on. 

    In classic ‘civil war’ style American Carnage recalls the tragedies and victims of the conflict: Paul Ryan, speaker of the house, forced to compromise his beliefs in order to steer laws through Congress; Michael Cohen, Trump’s disgraced ‘fixer’, whose past financial improprieties were laid bare by the Mueller Inquiry; James Comey (Former FBI head), Jeff Sessions (Attorney General), and even ‘Sloppy Steve’ Bannon, whose love of the spotlight was intolerable to a president who craves the centre of the stage. The fate of these individuals and others who fell foul of Donald Trump indicate the degree to which the GoP has become subverted to his will – a president demanding undying loyal with the power to disrupt and upend careers, families, stock markets, allies and enemies with a single tweet. 

    But Alberta shows that not everyone has gone quietly into the night. An example is Mitt Romney, a man who openly questioned Trump’s nomination, earning him the now infamous tweeter storm, but who stood by his beliefs and returned to Congress as a junior senator in 2018. He is a man clearly out of step within the new Party of Trump (PoT), a Shakespearean Lear wailing against the excesses of his party’s president.

    American Carnage does carry some noteworthy gaps. Arguably the most important is an understanding of the cultural and socio-economic factors that provided the fuel for the rightward turn of the GoP. In fairness the scrutiny of these origins would require another book, with others have done a fair job of setting out the societal changes that have nurtured ‘Trumpism’. Personally I suggest George Packer’s The Unwinding, J.D. Vance’s Hillbilly Elegy, Amy Goldstein’s Janesville: An American Story, and for those prepared to go back a decade, Joe Bageant’s underrated Deer Hunting with Jesus.

    But even these writers cannot answer certain questions that, before reading American Carnage, I could not answer. Foremost here is the question of the support Donald Trump enjoys from fundamental Christians – backing that seems immune from his less-than Christian indiscretions (Stormy Daniels and Access Hollywood anyone). Alberta lays the answer out clearly in three words: Supreme Court judges. 

    To wit: by supporting the nomination of arch-conservative, pro-life judges Trump—a man who has personally expressed pro-choice values—has steered the American Supreme Court towards the holy grail of the staunch Christian right – the overturning of Roe vs. Wade (the landmark ruling protecting the constitutional right to abortion). With two conservative judges already appointed during his term and new appointment possibilities in the wind, a challenge to the ruling appears imminent.

    Again, on the matter of campaign pledges, Trump can be said to have delivered. Yet in the background the words of Alexander Dubček, the de facto leader of the Prague Spring (Czechoslovakia) come to mind:

    “To disregard moral principles in the realm of politics would be a return to the law of the jungle.”

    And selling your soul comes at a price; a point made clear by the the 2018 mid-term elections when a retreat of affluent suburbanites from the Republican Party helped the Democrats recaptured the House of Representatives. This trend, alongside an ethic shift in American society, wherein the sum of minorities will soon out number the previous white majority, forewarn of telling times for the GoP. The risk for the party, Alberta reasons, is that Trump’s ethnic baiting could turn sufficient voters away from the GoP that years in the electoral wilderness will follow. It is an important argument that raises the question of what a post-Trump Republican Party may need to become in order to survive.

    And what of the future for the other party – the Democrats – who have been energerised by the arrival of younger, social media suave blood into its ranks. Here Alberta’s makes it simple: Trump will seek to demonise the party’s left-leaning progressives by labelling them ‘socialists’, and then use this declaration to tarnish the entire Democrat party, and then watch as his ideologically unsophisticated base balk at a perceived ‘red’ threat to America (author’s note: American Carnage was published before the recent altercation between Trump and the three-women group of Democrats known colloquially as the ‘Squad’).

    It is a tactic that the older guard, Nancy Patricia Pelosi et al, is seeking to deflect. Yet the appearance of these internal differences suggest that the Democrats face a milder version of a civil war themselves – one fought between its older, pragmatic centralist members and the younger, energized followers of the ‘new new left’. And without agreement on a shared path Trump, the artful tweeter of discontent, will use these differences to fracture efforts by the Democrats to recapture the Whitehouse in 2020. 

    But for the bulk of us, by-standers to this American tragicomedy, the situation can seem bewildering and nonsensical; yet we remain aware that our fate is entangled in this unworldly mess (think climate change and trade tariffs). Eldridge Cleaver, the African American activist, presaged this situation in his 1968 treatise Soul On Ice:

    “It is not an overstatement to say that the destiny of the entire human race depends on what is going on in America today. This is a staggering reality to the rest of the world; they must feel like passengers in a supersonic jet liner who are forced to watch helplessly while a passel of drunks, hypes, freaks, and madmen fight for the controls and the pilot’s seat.” 

    Returning to Alberta’s thesis, in a 2018 TIME opinion piece Charles Skyes reasoned that political entities seldom lurch dramatically from one form of ideas and identity to another: “usually” he writes “it is a gradual process of compromises that make sense in the moment, but which have a cumulative effect — like a frog being gradually boiled.” The story laid out across American Carnage suggests that this argument may only be half-true, given the changes that have occurred over the short period of the Trump era.

    But correct or not Tim Alberta has done us a favour by setting out the paths that have brought us to our current point, while providing us with a sense of what lies ahead.

    To end, if one wishes to find some comfort at the end of American Carnage it might be found in the past words of another American, the historian Samuel Eliot Morison, a man whose faith in the regenerative capacity of his nation’s culture and its political system remained unblemished by historical events: 

     “ We have passed through abnormal periods before this, periods of disorder and violence that seemed horrendous and insoluble at the time. Yet we survived as a nation. The genius of our democracy is its room for compromise, our ability to balance liberty with authority. And I am convinced that we will strike a new balance this time, and achieve in the process a new awareness of human relationships among our people.”

    Me? I’m not so sure . . .

  • “Everything starts with Alexander”

    “Everything starts with Alexander”

    Take a journey through the ‘game of empires’ with Jeremiah William’s review of Angelos Chaniotis newly published, Age of Conquests – The Greek World from Alexander to Hadrien.

    In his latest book leading historian Angelos Chaniotis covers nearly 500 years of history across the ancient world, from Egypt to Britain; the volume providing readers with a brief, yet sufficiently detailed narrative of the major events occurring in the ‘oecumene’ (the known world) from the time of Alexander the Great (336 BC) until the death of Roman Emperor Hadrian (AD 138).

    Angelos Chaniotis introduces the argument that Alexander the Great’s transformation of the world during his lifetime did not stop upon his death in 323 BC. 

    Instead, everything starts with Alexander. 

    Through his extraordinary conquests, he became assimilated with the gods and carved a brand new world out of the Mediterranean landscape. Yet he died before seeing the entirety of his accomplishments. 

    The poem “Anno 200”, transcribed in the book’s first chapter, is used by the Chaniotis to provide a measure of the ‘man gods’ achievements:

    “And from this marvelous pan-Hellenic expedition
    Triumphant, brilliant in every way,
    Celebrated on all sides, glorified,
    As no other has been glorified,
    Incomparable, we emerged:
    The great new Hellenic world.
    We the Alexandrians, the Antiochians,
    The Selefkians, and the countless
    Other Greeks of Egypt and Syria,
    And those in Media, and Persia, and all the rest:
    With our far flung supremacy,
    Our flexible policy of judicious integration,
    And our common Greek Language
    Which we carried as far as Bactria, as far as the Indians.”

    The territories conquered by Alexander endured a period of violence and war after his death, with several new dynasties emerging to battle for increasingly large portions of Alexander’s former kingdom. 

    However, these hectic times also led to scientific, artistic, and intellectual achievements that are still with us today. 

    Angelos Chaniotis demonstrates why combining the Hellenistic and Imperial periods into the ‘Long Hellenistic Period’ gives us a better understanding of the important social, cultural, economic, and geopolitical developments that shaped the beginning of the modern world. 

    Covering five centuries of complicated history in sixteen chapters is no easy feat but under the steady hand of Chaniotis it is managed masterfully. The book’s layout certainly helps in this regard. Right after the table of contents, at the front of the book, are eight detailed maps in black and white. There’s also a full list of the figures used to illustrate the chapters. The narrative portion of the book is summarised down into twelve chapters, while the remaining four are dedicated to the overarching themes of socio-economic, cultural, religious, and global development. 

    The narrative chapters generally follow a chronological order. However, for clarity, the author sometimes chooses to explain distinct episodes linearly, which requires him to jump back and forth through time.

    Chapters Thirteen through Sixteen, the final chapters, focus on the main themes of the book, the author seeking to tie its anterior arguments into a concise understanding of the era.

    Overall, the effect is one of an easy-to-digest account as well as a reference and guide for further research, with every section acting as a stepping stone to a specific topic. This is assisted by the detailed reference, chronology, and bibliography sections that are found at the end of the book.

    Available at Monument Books.

    Jeremiah William

  • Sex, lies and audiotape

    Sex, lies and audiotape

    Three Women – A Review

    Author: Lisa Taddeo

    We of the HOWL team welcome Ms. B to our esteem pack of eager reviewers. Describing herself as “bi-coastal”, “multi-faceted” and a woman who knows her way around a ménage àtrois,“even with the lights off” (her words, all), there could be no one better to review Lisa Taddeo’s much hyped ‘Three Women’. Over to you Ms. B.

    “It’s the nuances of desire that hold the truth of who we are at our rawest moments. I set out to register the heat and sting of female want so that men and other women might more easily comprehend before they condemn. Because it’s the quotidian minutes of our lives that will go on forever . . .”

    Oh dear. I do not know if I want to continue reading or just throw the book at the wall . . . Lisa, please! No more. I know that you have worked eight long years on this tome; I know you are talented writer and that you have probably rewritten the above paragraph umpteenth times, but please, stop now!!!!

    Okay. I’m back. It was a touch and go there; the question being, would I need to fish my review copy of Three Women from my landlord’s catfish pond? Or would I go on Tinder to see who was new in town? But there is a job to be done with a task, laid out before you, to share my critical thoughts on Ms. Taddeo’s new opus. So to the nuts and bolts, or maybe just the nuts given the topic in hand (all words and phrases are loaded in this review).

    Lets start – Two-years shy of a decade in research and writing Lisa Taddeo’s Three Women does not simply announce itself, it kicks down the door. At least that is the impression left by the endorsements that flourish on its covers:

    “This is one of the most riveting, assured and scorchingly original debuts I’ve ever read”(Dave Eggers). ‘Riveting’, ‘assured’, ‘scorchingly’, one wonders if Eggers was rewarded on the basis of how many superlatives he could include in his writer’s blurb. And is ‘scorchingly’ even a word? My spell check, in open revolt, says ‘no’.  

    Ms. Eat, Pray, Love – Elizabeth Gilbert, takes things up a notch or four . . . “ A masterpiece on the same level as In Cold Blood” 

    Hold on a minute Liz. Have you engaged in a tantric yoga pose for too long? I mean no one! No one! Can challenge my man Truman when it comes to immersive, narrative non-fiction. 

    [Ed. Disclaimer: While we at HOWL all regards Truman Capote’s seminal work with the highest esteem we accept that Hunter S. Thompson and Tom Wolfe might have something to say about its status in the pantheon of ‘new journalism’]

    So what is the topic of Ms. Taddeo’s much-praised book? Its actually quite simple, one word in fact: desire. Although as the 300 pages of Three Women reveal, ‘desire’ is never simple. It is ‘nuanced’ as Lisa eloquently puts it. Me? I would choose a more colourful adjective. 

    As a reviewer I do not favour the approach of picking over a book like a Moscow dissentient eating lunch in a Russian restaurant. Rather, I like to employ what I call the ‘alien test’. Here is how it works. Imagine you are an alien who has landed on earth and have absolutely no idea how humans function; in fact the only thing you know is how to read English (here I am thinking of a cute alien, something like ET, not one of those creatures that bursts out of John Hurt’s stomach so many Sigourney Weavers ago). Now, as an alien you pick-up and read Three Women, drawing conclusions about humankind at its end. Here are your observations:

    Men trend towards being manipulative pedophiles, unkempt jerks and selfish voyeuristic no-bodies.

    Women, in contrast, veer towards victimhood, complicity, desperation and varying levels of obsession. Revenge is, on occasion, employed.

    Moving to the matter of sexual congress—which to an alien would probably appear, well, alien—such acts are mostly illicit and awkward, while best undertaken in the back of a pick-up, in a school classroom or in the family basement. 

    Clearly we are not in Kanas here (‘right Truman?’) so where are we? 

    The answer is embedded—as much as a writer and by default a reader can ever be—in the lives of three women (yes, the title keeps it simple) and their contrasting experiences in the spotlight of ‘desire’. We have Maggie, a high school student who finds herself entwined in an emotional and physical (think hands, lips and fingers) relationship with her school’s most popular teacher. There is Lina, an unhappily married housewife, who fines salvation in the arms—and the rear seat — of an old school flame. And Sloane, the most callow of Taddeo’s informants, who has a voyeuristic complex that is complemented by her husband, who enjoys watching her have sex with other men (and women). 

    Complicated? Likely. Messy? Most definitely! For all of Taddeo’s lead characters—and remember we are talking non-fiction here—suffer for their desires and the actions they trigger, with only Lina surfacing from her story with any form of satisfaction. Still, even for Lina you feel her life could collapse at any moment, her passions backstopped by clouds of looming darkness. 

    As a writer Taddeo has the skill to transform copious reels of audiotaped interviews into chapters that flow coherently across multiple story and time-lines. She also has the emotional disconnect of an Idaho potato farmer; so while her subjects flounder under the raw emotion of the pain, guilt and ardors of their experiences, she remains calm and neutral, a recorder not a counselor. Behind this craft you feel there is another story, an account of how she came to find and choose Maggie, Lina and Sloane as subjects; the steps taken to encourage them to tell their stories; and how she, as an author, was able to retain her neutrality throughout the book’s gestation. 

    So where does Three Women stand? 

    Timing can mean everything when it comes to the reception of a piece of art, and as the ‘alien test’ suggests, the behavior of men in Three Women falls very much into the narrative of the #MeToo age. Thus inadvertently—for the author could hardly have anticipated this movement when she started writing in 2011—Three Women feeds into its zeitgeist. 

    And here I think Taddeo encounters her biggest conundrum, for there is a sense that the power and reverberations of #MeToo suck some of the force from her work – the movement’s rise robbing the book of its potency, the revelations in Three Women no longer original. It’s a shame. If the ground that Three Women covers had been less crowded it may have raised sufficient steam to match its hype. Instead it comes to the party late – less clarion call, more an addition to an orchestra well into its second movement.

    The discerning reader might have gathered that I am not completely taken with Ms. Taddeo’s oeuvre. Let me be honest here: Yes the book is well written. Yes it does shine light into the corners of female emotion less explored and written of by woman themselves. And yes, eight years is a bloody long time to research and write a book (and one feels that Taddeo was not the sort of person to stop for a year or two to smell the roses). It’s an accomplished work, but it falls short of its embellishments. Capote can rest peacefully; his most celebrated work remains unchallenged.

    Yours, Ms. B 🙂

    For an alternative take on Ms Taddeo’s Three Women, click here