Month: February 2020

  • Chasing the Sun

    Chasing the Sun

    Peter Olszewski offers up his thoughts on Linda Geddes ode to the value of sunlight in our lives.

    Just when you thought you were aware of just about all the potentially harmful pollutants, along comes news of light pollution, and new knowledge about the dangers of being deprived of good old natural light via our very own star, the sun.

    We underestimate the importance of natural light and we make the seriously flawed assumption that the electric light that lights our homes and offices is just as good as the real thing – sunlight.

    That is a simplified version of the message of a startling new book, Chasing the Sun: The New Science of Sunlight and How it Shapes Our Bodies and Minds by science journalist Linda Geddes.

    Basically I think we all understand the basics about sunlight in that exposure to it can be both benevolent and malevolent.

    But Geddes book concentrates of just how vital sunlight is and her observations are illuminating [ouch, bad pun Peter]. She points out that while we all know that  a  measured dose of sunlight makes us feel good, we  are only just beginning to fully understand  how vital sunlight is, how it can heal or prevent  a myriad  of physical and mental maladies and how deprivation of it  can cause  significant health and well-being problems.

    And this comes with a warning about our urban lifestyles where much of our high-rise cities become sun-less shadow lands and our addiction to the new technology, which keeps us indoors looking at computers and hand, held devices for hours on end instead of being outdoors soaking up some sun.

    To tell the new story about sunlight knowledge,  Geddes takes us back about 130 years ago, to the work of  Nobel Prize winner Niels Rybirg Finsen who dealt with the direct impact of the sun’s rays  on bacteria and on our skin,  and in doing so he  instigated a cure for lupus vulgaris or skin tuberculosis, a dreadful disfiguring  facial disease caused by flesh eating bacteria – Finsen  found the cure by directing ultraviolet rays on patients’ faces.

    Finsen first became interest in the sun because as a student in Copenhagen he lived and worked mostly in a sunless room and suffered from anemia and tiredness.   But he noticed his health improved when he was exposed to sunlight. He began to experiment, established the Medical Light Institute and as Geddes writes, “He ushered in a new era of interest in the health benefits of sunlight, which continues to this day.”

    And before Finsen, Florence Nightingale  in 1860 observed that dark rooms were anathema for patients:  “What hurts them most is a dark room”, she wrote, “And that it is not only light but direct sunlight they want.”

    AS well as thoroughly documenting the need for humans to be subjected to the right sort of light – sunlight –  author  Geddes, in her compact fact-packed compendium, also documents the  emergence of the wrong sort of light and how it causes havoc with the natural  order of things.

    She cites a Cities at Night project, which documents the extent of light pollution and how it’s changing due to the popularity of LED street lights.

    “Urban lights scatter photons in unwanted directions, including upwards into space,” she writes.

    “This scattered light obscures drivers’ vision and wreaks havoc on wildlife.  Mesmerized by this apparent daylight in the night sky, insects life cycles are disrupted, birds migrations thrown off course and trees cling to their leaves longer in autumn – potentially shortening their lives.” 

    Even the reproduction of flowering plants is affected by these artificial suns, by disrupting the behavior of pollinating insects, their daily appointment with flowers that open and close at specific times are missed.

    And of course there can be no discussion about sunlight and what happens when the light of day fades into the dark of night: mostly we sleep, or we should sleep and once again, our sleep patterns, naturally triggered by the rise of fall of the sun, are vital to our health.

    The tightly written book opens with the science of circadian rhythms, explained in not-too-technical terms, and ends on this note, “We spawned from a revolving planet, itself shaped by starlight. And although we create our own electric star to light the night, our biology remains tethered to a monarch mightier than them all: our sun.”

    A good read that’s inducive to a good night’s sleep.

  • Year of the Rabbit

    Year of the Rabbit

    Graphic Novel Gives Unique Take on Khmer Rouge Times

    The Guardian review, Rachel Cooke, 4th February 2020

    I feel more and more that comics are capable of dealing even with the most difficult of subjects – an ability that has to do, I think, with their relative lack of words. Unlike a novel, they can make full use of silence. Pain may be seen in a glance on the faces of their characters; foreboding may be found in the sky and the trees. Tian Veasna’s brilliant and powerful book about the murderous reign of the Khmer Rouge in Cambodia, and the experiences of his family under the regime, is a case in point. Its storytelling is extremely nimble, making easy work of complex political history. But it’s also exquisitely spare. Sometimes, there is nothing to be said; no words are adequate. In these moments, Veasna lets his brush do the talking. Like a bird, he soars above the country where he was born, gazing down on its gutted cities, on its workers slaving in the fields. The documentary precision of his landscapes seems to do the work of a thousand written pages.

    Veasna was born in 1975, just three days after the Khmer Rouge seized power in Phnom Penh. Year of the Rabbit traces the day-to-day lives of his parents, first as they join the exodus of people from the cities to the countryside, and then later, as they plan their escape from a country that has in effect become a giant prison camp (eventually, they will make it to France, where he grew up and still lives). Veasna’s father, Khim, is a doctor, and as such is considered to be an intellectual enemy of the bizarrely philistine new Democratic Kampuchea, which prefers to put its faith in traditional medicine. So as he travels, he must hide his identity. This, however, is the least of his worries. The regime takes everything. People are starving. Spies and snitches are everywhere. In the villages, where the masses must wear identical clothes, follow identical routines, and work only for the glory of the motherland, growing your own tomato plant is enough to get you killed.

    Year of the Rabbit is an account of terror and unimaginable loss. But it’s not only this. I felt slightly guilty that I found it so exciting – and it was an education, too. Veasna punctuates his story with detailed historical maps, and with a series of darkly funny panels in which he details some of the loopier and more arcane beliefs and practices of the Khmer Rouge. In one, he explains how a person might look like an enemy of the state (appear elegant or distinguished; hesitate when asked about the past). In another, he draws one of the “new people” of Kampuchea, and the very few things he is allowed to own: a lice comb; a spoon; one bar of soap per family, per year. Beyond the fear, the disappearances and the mass graves, as Veasna reveals again and again, there lies a terrible absurdity: those old bedfellows, stupidity and cruelty, go hand in hand, each cheering the other on from the sidelines as their heinous work is done.

  • The Power of Words

    The Power of Words

    Howl recently came across this piece of writing by Singapore native and Writing Through staffer Ming Xia Ho. Taken from a collection of short reflective pieces, Faces of the Flow Generation, HOWL thought it deserved a wider audience (published with permission).

    The Chinese have a saying: “Think three times before you decide to strike.” Why three? It’s to make sure you think about your past, your present and your future before you take action. It’s an invitation to reflect on how any decision relates to these three moments in time.

    There was a moment, about a year after I finished university, when I remembered this Chinese piece of wisdom. I had studied Business Studies and got a first full-time job in sales. The company ran a number of serviced apartments in downtown Singapore, mostly catering to expats relocating here from other parts of the world. 

    “MY JOB SEEMED BLEAK TO ME”

    I optimised some of the company’s ways of operating. But once that was done, I got rather bored with the monotonous routine. There was nothing personable beyond meeting sales targets and long hours of work that focused on being micromanaged for administrative matters. It seemed bleak to me. I wanted a role that was more “human”. 

    Then, out of the blue, an open call for a volunteer role with Writing Through, a Cambodian NGO surfaced. The organisation runs creative writing workshops for youths. In Singapore, their partners include Very Special Arts Singapore Ltd (VSA), an arts school for children with special needs.

    I was immediately captivated. The mission of this non-profit resonated with me on many levels. 

    “AT SCHOOL THERE WAS ONLY ‘RIGHT’ OR ‘WRONG’. NOTHING IN BETWEEN.”

    I’ve always loved poetry, writing, literature, and the arts. I also appreciated that the organisation reinforces that there are no mistakes in writing and expressing one’s thoughts. This contrasts with what Singapore’s structured education system teaches you. 

    At school we learned that if you want to ace in an essay, you need to write a certain way. Answers are either right or wrong, with nothing in between. Yet, here was this organisation that let people experiment with their thoughts. It was education beyond the books, and I loved it.⁣⁣

    It was the first time since taking on the job that I’d felt the strong desire to take action and say ‘YES’ to an opportunity.

    Up until then I had always been quite passive. Remembering the Chinese saying, I thought about my past, present and future self. I was convinced that my future self would thank my present self for the challenging decision to start something new and create a ripple effect of change, rather than live with regrets (as my exhausted, dissatisfied, past self had done).

    I decided to take the volunteer role, but on top of my regular office job. And something magical happened! The role with the NGO felt liberating and refreshing because I had autonomy. I could think and choose for myself, and contribute to a greater cause. More so, taking on this responsibility outside of work incentivised me to leave my day job earlier and focus on my passion for learning new skills. 

    Then one thing led to another. Around the same time, I met some travellers staying in Draper Startup House Singapore (then named Tribe Theory Hostel), a startup hostel for entrepreneurs. I was inspired by their drive and confidence in embracing change, in being self-initiating, clear in their ideas. Watching them catalysed into my own actions. I decided to prioritise self-discovery and personal growth over money and a toxic work environment. In October 2018, I left the office job for good. By then a paid role had come up in the NGO.

    “SUDDENLY I WAS LIVE ON STAGE”

    My most rewarding moment? That was in November, running a series of workshops for youth with special needs. It was the final week of rehearsal leading up to a big event at the inaugural Singapore Writers Festival. 

    We were partnering with the Jazz Association – SG, which used poems written by the students to create jazz-inspired pieces. But the main facilitator was unwell, so I had to take charge. I had to coordinate the children to be orderly on stage, and teach them how to project themselves confidently. The situation caught me by surprise and I felt completely unprepared. Speaking in public is something I’m still getting attuned to. It leaves me with butterflies in my stomach each time, so imagine how it must have been for these students! 

    Yet, on the day of the big event, everything worked out. It was a massive success, a collective effort, and for me it was a huge positive reinforcement on passion done right. Not only was I able to give myself voice by pursuing what I enjoyed, I could also share the joy of doing so with the community around me and inspire others to grow with the arts.